Greta Thunberg lectures climate change villains and the biggest Saturday highlights

Saturday’s mood music: mellow, with a side of dragon

There’s definitely a mellow vibe around the site today. Perhaps it’s the sunshine, perhaps it’s the gentle ambience of the third morning of the festival, but Strummerville, hill above the Park and Green Fields are far busier than the thudding dance music mania of Silver Hayes. 

This year marks 30 years since artist Ray Brooks was commissioned to make four “elemental” dragons for the festival site. The water dragon is the only one that remains; tucked in a wooded snicket to the edge of the Stone Circle, it’s bloody massive – 80 feet long. The waterfall that clearly ran here once is nowhere to be seen; a sign of how much the rainfall levels have changed on the site over the debases. Alice Vincent

Ukraine’s Eurovision winners play their first ever UK concert

The big moments at Glastonbury don’t always happen on the big stages. 

Fresh from winning the Eurovision Song Contest in May, Ukraine’s Kalush Orchestra played their first ever UK concert on the remote Truth Stage in the Shangri-La zone of Glastonbury’s so-called Naughty Corner in the small hours of Saturday morning. The symbolism of the seven-piece band playing was lost on no-one. War may be ravaging their country but here they were – standing for freedom by playing at the world’s most famous music festival.

The crowd was dotted with Ukrainian flags, with some audience members wearing the country’s traditional dress. Kalush Orchestra play a blend of hip hop and traditional Ukrainian folk music. Front man Oleh Psiuk, immediately identifiable by his pink bucket hat, bounded around the stage. “We came from Ukraine to share our music and culture,” he said. 

The sound was rich, the bass was deep and loud. After all the focus on the war during the Eurovision campaign, it was refreshing to hear their music over the course of an hour-long set. It had room to breathe. Psiuk an accomplished rapper (he adores Eminem – you could tell). It was a compelling sonic blend overall, with neat hooks played by traditional instruments like a telenka, a long wooden flute-like instrument without finger holes. James Hall

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